Just in time for Montreal’s Grand Prix, our best friend Steve Thomas (you can read more about him here) has created for us a custom poster celebrating our loudest and largest summer race!

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We love the famous Montreal skyline in the background – how many buildings can you identify?

According to Wikipedia “The Canadian Grand Prix (French: Grand Prix du Canada) is an annual auto race held in Canada since 1961. It has been part of the Formula One World Championship since 1967. It was first staged at Mosport Park in Bowmanville, Ontario as a sports car event, before alternating between Mosport and Circuit Mont-Tremblant, Quebec after Formula One took over the event. After 1971, safety concerns led to the Grand Prix moving permanently to Mosport. In 1978, after similar safety concerns with Mosport, the Canadian Grand Prix moved to its current home on Notre Dame Island in Montreal”.

From raucous street parties and all night parties to day long slogs to and from the race site, Montreal is said to celebrate the Grand Prix with a fervor seen in few other locations.

Formula One racing (F1 to fans) has had many heroes (like Aryton Senna, about whom a fabulous documentary was made; the fantastically talented Michael Schumacher who was perhaps one of the greatest F1 drivers ever, and Niki Lauda, the only driver to win for Ferrari and Mclaren), and just as many villains (Alain Prost comes to mind).

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Above: Ayrton Senna (source: https://edition.cnn.com/2017/11/16/motorsport/ayrton-senna-foundation-sister-viviane-interview/index.html)

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Find this stunning poster here!

 

Another one of our friends, Mads Berg, created this fabulous poster below for the Zurich Grand Prix. It’s available on-line or in store @ L’Affichiste.

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Montreal celebrates them all in a week long extravaganza that brings the city to a standstill and brings in supermodels, celebrities and racing fanatics from all over the world. L’Affichiste salutes them all and wishes the drivers a clean race, sunny skies, and to the winner – a shower of fine Champagne!

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I’m always happy to provide our cycling clients with posters that honour their passion and celebrate their conveyance of choice. Whether you ride a Giant, are a huge fan of the Road Bike Party, or just like to cycle around the neighbourhood, our selection of new (vintage) cycling posters will no doubt appeal!

Sophie Labayle Cycles1

A lovely, largely black and white French poster from the early 1980s would provide a great design focus for almost any room in the house. The simple red typography could be accented by the use of a red frame, or, if you prefer something more pristine, black laqueur or a light white wood frame could be used as well.

(Did you notice the silhouetted design on the shaft of the bike above the word ‘cycles’? Some of the posters we like best are those with similarly hidden details …)Bicyclette le moyen de transport economique1Bicyclette Seul Moyen de Transport Gratuit1

These two banner posters were part of a series produced in France in the 1950s to promote bicycles as a means of free and healthy transportation. All of the posters in the series were the same size, all of them are colorful and happy, and every time we are fortunate enough to find them, they rapidly find new homes as they seem to be super-popular with our clients.

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I’m in love with this series of posters for Cycles Clement. Intended to show how universal the brand was – it could even be used by women! – these vibrant posters from the late
1890’s/early 1900’s are highly collectable, very rare and quite perfect. Sold individually, I think they would look fabulous if purchased and hung together – right next to that bike rack of Biancis, Colnagos, and De Rosas. (If you’d like to find out more about hybrid road bikes, you can do so here, and if you’d like to find out about something called ‘mechanical doping’, check out this link … who knew?)

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There’s something so Doris Day about the woman in this poster … the bouncy hair perhaps? Her ride, a Griffon, looks perfectly suited to both her outfit and her personality. Like many other companies, Griffon built both bicycles and motorcycles, originally fitting an engine to one of their bicycle models. Development was rapid, and by 1903 they presented 10 different models at the Paris Show. Racing success followed, and in 1904 one of their machines achieved the (then!) astonishing speed of 65 mph. After more than a quarter of a century, having led the field in competition and built many fine road machines, the company was absorbed by Peugeot in the late 1920s. Peugeot built machines under the Griffon marque until 1956.

And just in case you’re wondering what I look like on a bike – my son took this photo of me not that long ago. I thought I looked calm, cool and collected (kind of like Doris on her Griffon), but evidently … Not.

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Whether you cycle 5000 kilometers a summer (you know who you are), or look like me on a hand-me-down bike, I’m sure you’ll find something to love in our new selection of bicycle posters … and if you use the discount code BIKE10 at checkout, I’ll give you 10% off!

Every year, right around this time, I start to compile a list of things for which I am grateful, and this year is no exception.

  1. I am very grateful to the City of Montreal for giving us a one-year respite on rebuilding the street where L’Affichiste is situated. Last year, from Grand Prix weekend in mid-June until Christmas Day, we had a crew of men, tons of debris, no sidewalk and lots of Montreal’s world-famous orange cones.
    This year, as a tribute the Montreal’s 375th anniversary, there was – Hallelujah – none of that.

Which brings me to…

  1. I am thankful that this year was the best year I have had in business. First-time tourists to the city, return customers, regular fans, Instagram followers – you’ve all made this year one to remember and I thank each and every one of you for that!Gallery photo 2016.11.17
  2. I am exceptionally grateful to my new friend Jeremy Aynsley for helping me in every conceivable way with my recently published book Beyond Poster Art in Vienna: The Life and Art of Julius Klinger. Jeremy graciously wrote the forward to the book, invited me to take his two-week Masters Seminar at the New School in New York and was kind enough to involve me in his Klinger exhibition at the Wolfsonian. Thank you Jeremy!29-jeremy-aynsley
  3. L’Affichiste is open 7 days a week, almost 365 days a year. That is only possible because I have the great good fortune to work with a talented group of young people, let by the incredibly efficient and lovely Lilian. Lil has worked with me for three years and has, in that time, learned a great deal about posters, poster galleries and just what it takes to help keep a poster gallery owner happy. She is dependable, good-natured, and proactive and I am grateful to have her on the team.IMG_5133-01-02-01

    Dana, our latest addition, is my favorite partner in dumpling addiction and is has become very posterific in a very short period of time.

    Desiree, Danijela, Ariella, Nathaniel and Alison were also part of the team this year and I am thankful for their contributions to helping make L’Affichiste an Old Port shopping destination.

  4. We’ve continued to enjoy great press coverage – in France, Austria, and the United States. The book generated good reviews, the exhibition is world-class, and our Instagram followers keep telling us we are the reason they’ve chosen to visit Montreal. We are truly blessed, and we know it.
  5. My son Giulian makes me proud every day. I am grateful for his love, his wisdom and for the fact that he is able to make me laugh at myself. Often.So, as this year comes to a close and next year (when the City will once again begin rebuilding St. Francois Xavier Street) is just beyond the next snowbank, I thank you all for continuing to support L’Affichiste and for permitting to work at a job I love every day.Happy holidays!

    xo Karen

During the five years it took me to write The Life and Art of Julius Klinger: Beyond Poster Art in Vienna, I often wondered what I was doing. Because book writing is a fairly solitary research-centric, crazy-making hobby, my friends and family began to question my focus (sanity) and determination.

I had never written a book.

I wasn’t an academic.

Julius Klinger wasn’t a poster artist many people had heard of.

To be honest, there were times when even I began to question my own focus (read: sanity) and determination.

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The book is a testament to what can be accomplished when you set your mind to a task and create – by sheer will – the environment within which to accomplish that task. It’s not a perfect book, but it’s as close to perfect as I could make it.

It was while researching the book that I discovered — through my (now) friend Susan Reinhold — the Wolfsonian Museum in Miami. She alerted me to the fact that the Wolf had vast Klinger holdings, and suggested that perhaps the Museum would be able to help me locate Klinger posters and ephemera that could be used in the book. I believe that the Wolfsonian itself was surprised at how many Klinger posters they had in their possession – so much so that they were compelled to create a Klinger-centric exhibition (which opens tomorrow!)

The exhibition – which I previewed today with its guest curator Jeremy Aynsley – is spectacular. It features Klinger’s posters, book covers, typography, and illustrations in exhibition halls at the Wolfsonian which have been designed to highlight the color, humor and skill that Klinger brought to each of his commissions. Skillfully combining large posters with smaller-scale works, Jeremy has contextualized the exhibition with artifacts – ceramics, bronzes, lace – from the Wolfsonian’s enormous holdings … resulting in a show that humanizes both the art and the artist.

When I began the journey that resulted in The Life and Art of Julius Klinger: Beyond Poster Art in Vienna, I never could have imagined the interesting people that I would meet, the incredible learning that I would undertake, and the exceptional exhibition that is about to open. I feel very grateful to have been part of this process, and I think Julius Klinger would be very happy indeed to see his posters exhibited, admired and discussed.

At the cusp of September, I eagerly await all the leaves looking spicy and textured, and Montreal looking like it’s blushing.

During the summer, I typically gravitate towards cool tones (in style and art-preference alike), to offset the heat I wish I knew how to handle more elegantly. Elegance is one thing I practised here, working at L’Affichiste, while trying to keep up with Karen and Lilian, who were overly kind and helpful from the very start.

I wonder sometimes what possessed me to interview for this job wearing what was essentially a Hawaiian shirt under a sweater, but Karen and Lilian saw some promise in me nonetheless. Since May, they have guided me to be the best gallerista I could be, and taught me that this journey of progress is an ongoing one.

This was a job I found so engaging, socially and mentally, trying to match customers with the posters of their dreams. I ended up matchmaking myself at certain points – an inevitability, with so many stunning pieces.

I thought I’d list a few of my favourites ; my selection actually intrigued me because it deviated from my initial expectations of preferring very minimalist art. I’m not sure exactly what that means in terms of what I learnt here, but I’ll say that working at L’Affichiste has opened my mind to new patterns and colours, both literally and metaphorically.

The landmark poster was Mads Berg’s Prosecco – a fan favourite that drew people in, cooing at the glamorous boat lady in the shawl. I practised describing her what felt like a hundred times a day, she was so popular. But who is she? I still wonder. My fondness for her starts with the beautiful combination of that crisp blue and a juicy, burnt orange. I wouldn’t have ever put those two colours together until that poster, and now I am a happy convert. My love of orange continues with the Dutch Art Nouveau poster “Instituut Overtoom”. Its magical, smooth graphics in the mushroom/light orange/faded black colour scheme completely enchants me.

See more stunning Mads Berg posters here, and grab the magnificent Instituut Overtoom while you still can!

I cannot fully describe my experience here without mentioning my introduction to Botero, and his irresistible voluptuous figures. A mix of parody, humour, and political commentary in fantastic and funny oversized characters ? Divine!

Discover Little Eyolf and more minimalist posters!

“Watercolours and Drawings” is a gorgeous black and white poster that is nothing short of darling. Find the charming Botero here!

My main return to minimalism happened with a theatre poster, for the play “Little Eyolf” by Henrik Ibsen. I love the red on this poster, I love the quiet but strong drama of the profile. The plot of the play was the cherry on top – I’m a sucker for intensity.

L’Affichiste has been an absolute blast – a new life experience I’ll cherish forever. I encountered so many beautiful and interesting people, including Karen and Lilian as well as my fellow coworkers. I thank everyone, customers and the L’Affichiste team alike, for allowing for me to have such a lovely time here. And I hope you’ll see me around sometime in the future!

Until then,

Danijela

 

After months of blog silence (what can I say? The summer months in Montreal are busy at the gallery and I have not yet picked up the habit of writing daily…) PosterRomance is back and we have so much to report!

This year, unlike last (which would be, as Queen Elizabeth notably put it, an “annus horribilis” what with endless construction in front of the gallery that left us roadless, sans sidewalk, often powerless, and more than mildly depressed) has been fantastic.

 

I think the “Giant” dog looks kind of like the dog in our Wegman poster

 

Montreal is celebrating it’s 375th anniversary which has translated into street parties, roaming mechanical giants, fireworks festivals and record number of gallery guests. We’ve had people from literally all over the globe and it’s been fundamentally rewarding to helm an active arts destination in the city. Lilian, Desiree, Danijela, Allison, Dana and I have been so busy that the summer has literally flown by.

And the fall promises to be exciting too: after years of Klinger-centric work (you’ll remember that Beyond Poster Art in Vienna: The Life and Art of Julius Klinger was published last year. It is available for purchase here) the Wolfsonian Museum (part of Florida International University) will be opening their Klinger exhibition in October.

 

Lustige Blätter and Klinger’s 8th Issue War Bonds Poster (still available for purchase)

 

During the research of the book, and after I heard about the planned exhibition, I contacted the exhibition’s curator, the noted British academic and author Jeremy Aynsley, about whom I’ve written before and who has subsequently become a new friend and L’Affichiste supporter. With Jeremy’s help and support, I was able to take a two-week intensive Master Class in Modern Graphic Design at the New School in New York during the spring.

 

 

The class, offered at the Cooper-Hewitt, provided remarkable insight not only into the subject matter, but also offered a sneak-peek at some of the vast holdings of the Museum (which is affiliated with the Smithsonian). Although there were many highlights, on a personal and completely immodest level, the Smithsonian’s acquisition of my Klinger book for their permanent collection was perhaps my favourite moment.

The book also received notice from Steven Heller,  a man who is a legend in the world of modern graphic design. Mr. Heller has – both on his own and with his equally accomplished wife, Louise Fili – written many, many books on practically all elements of design while teaching, coaching, reviewing, and blogging on an almost constant basis. His review of Beyond Poster Art in Vienna not only made my mother proud, it also made me feel that the five years of effort that took the book from inception to publication were worthwhile.

 

Also available for purchase, Klinger’s Pessl Perfume Advertisement, and the exquisite Tabu Antinicotin

 

So, in October I will happily walk through the Klinger exhibition at the Wolf. Jeremy has been kind enough to keep me abreast of its progress and gave Giulian and I a ‘paper walk through’ of the show when we got together in London in July. Some of the Klinger posters held by L’Affichiste have been loaned for the exhibition and I am most certain that if Julius Klinger was alive today, he would be pleased, flattered, and honoured by the attention and detail that is being given to his work and his life.

PosterRomance is back and I do promise to write more fully and more often. If there’s a topic you’d like to see covered, let me know.
Happy Labour Day everyone ☺

I’ve become enamored with Danish posters recently. They are unfailingly cheerful, burst with color and make me want to visit Denmark – which, after all, is the purpose of travel posters! Over the course of the last year or so we have had the good fortune to obtain (and sell!) many posters created by own favorite contemporary Danish poster designer Mads Berg (see our gallery of his posters here), as well as some older Danish pieces.

I’ve written before about how many posters have hidden symbols or details which are obvious to people who know what they are looking at, and less obvious to others. The Denemarken poster (above, right) for instance, appeared to me to be a fairly basic travel poster. But upon closer inspection (and with a proper explanation kindly provided by a visiting Dane!) I began to see details that had previously escaped me. Dan the Dane, who came into the gallery with his lovely wife Sabine, explained to me that the poster is an advertisement for an inn, and that the small insignia over the door of the inn was in fact designed by the Danish Queen Margrethe II. Here is Dan’s letter:

“Hello Karen,

The Royal Insignia signified that the inn was one of [several] spread all over Denmark that enjoyed royal privilege, and I suppose also had some obligations. ‘Along the country roads in the middle ages many inns were established to look after the travelers for supplies and lodging. The distance between the inns could max. be about 40 Km., this being the distance a horse could do in one day. The first Danish inn to receive the royal privilege was Bromoelle Kro on Sealand in the year 1198.’

So you see it is quite the institution. You could I suppose compare this to the Quebecois Chemin du Roi as many of the important roads in Denmark at one very early point carried that name translating in Danish to “Kongevejen”.

Oh, and if you want more information on the current Danish monarch, Queen Margrethe II, you can just continue on the above web site to see all her ancestors and a couple of lines on their achievements. Her line goes directly back to all of them!!

Dan and Sabine”

(I’ve actually never before heard of the Chemin du Roi, but now that I have , I think that’s going to be a travel destination for next summer!)

I think Danish design is pretty neat (here are a couple of articles that I found online) and literally every Dane that I have met has been polite, charming and humble. Aside from the Chemin du Roi, I think I’ll have to put Copenhagen on my bucket list. Thanks Dan!

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If you’d like to find out more about Queen Margrethe, you can do so here.